Heinz Mack, The Sky Over Nine Columns, Sakip Sabanci Museum Istanbul, 2015, Private Collection, Courtesy Beck & Eggeling International Fine Art, Photo: Murat Germen
"We have always listened to our customers because we need to share the same passions with them to achieve our mutual goals," says Kuklinski. Therefore, although the roots of the company (founded over 50 years ago) lay in insuring the transport of art, it was by listening to the collectors and art owners that they understood the customers' needs and launched a whole new field of operation: Protecting artworks during transport and further at their destination.
Today, with their daily business always oscillating between the raw numbers of valuation and the idealistic value that is so intrinsic to art, AXA ART employs both art historians and insurance-brokers along with risk-experts to offer coverage for valued artworks.
Wide ranging engagement with art
AXA ART's engagement with the art world runs across a broad spectrum. Its corporate art collection is just the beginning. On entering the office of AXA ART, one immediately encounters a range of paintings adorning its offices and hallways. This offers a great opportunity for its employees to enhance their knowledge of art through guided tours, that point out the specific qualities of the artists and artworks.
However, it also presents a challenge to Kuklinski. "Questions arise such as how to embed the artwork reasonably or how all employees get to appreciate art in the best possible way," he illustrates. As such Kuklinski believes that it makes sense for a corporation to own an art collection "only when it is embedded in a reasonable context within the workplace and the company culture." According to him, "the better a corporate collection is integrated into the objective of a company, the more the employees, as well as the company, can profit from it."
St. Moritz: Heinz Mack, The Sky Over Nine Columns, St. Moritz, 2016/2017, Private Collection, Courtesy Beck & Eggeling, International Fine Art, Photo Giancarlo Cattaneo
He further elaborates that the added value of a collection often varies with the point of view. "A CFO might point out how it increases the company's worth, while a CEO emphasizes the concept behind it," says he. "An employee might be enthralled by the accessibility of art in the workspace, while with clients and external communication the collection is part of the Corporate Responsibility Activities."
Beyond investing in a company art collection, AXA ART partners with international Art Fairs like TEFAF, Art Basel and local fairs, networking with collectors and connoisseurs. Kuklinski sees this strategy as a way to connect directly with his clients. By extending their engagement with art beyond the confines of their offices and online, AXA ART can also leverage this opportunity to display their competence in what their clients value most: security and expertise.
In order to showcase its knowledge further, the company also engages in bigger projects, like supporting artist Heinz Mack's Sky Over Nine Columns that was shown in multiple locations like New York and Venice during the Biennale in 2015. "Taking part in the sponsoring and logistics of this project gives us the opportunity to show our skills to a wide audience," explains Kai Kuklinski, "This kind of commitment goes beyond mere sponsoring. Insurance is part of it and not just the writing of a cheque. We want to be a partner who benefits the program, rather than just a sponsor"
Kai Kuklinski - CEO AXA ART Global
With a long-term perspective in order to preserve today's cultural heritage for tomorrow's generations, AXA ART has invested in a variety of research projects.
And cooperating with partners also gives new impulses to the company. For example, AXA ART works together with Fineartmultiple. The Start-Up offers valuable multiples on an online-marketplace and is currently adding services for galleries and clients on the internet. "For AXA ART it is not just about providing money and contacts, but also "about learnings for us as a company," explains Kuklinski .
A four-point roadmap
Finally, asked what advice he would give another company that wants to start a company collection or even an art program, Kuklinski offers a clear roadmap based on his extensive experience in the world of art. He believes that there are three key questions that a company must answer: First, you have to think about what objective you want to achieve, says he. Second, and perhaps most importantly, you have to go all in - there are no half measures once you have started the project. Third, think about a productive way to embed the art into your company, he recommends. And fourth, "I have to say this as an insurance guy," laughs Kuklinski, "Think about how to insure it!"
Venice: Heinz Mack, The Sky Over Nine Columns, 2014, Isola San Giorgio Maggiore, Venice, realized by Beck & Eggeling International Fine Art and Sigifredo di Canossa, Photo: Alessandra Chemollo
Interview: Dr. Ellen-Andrea Seehusen
Text: Dr. Ellen-Andrea Seehusen, Julian Stalter
Photos: © AXA ART
The installation The Sky Over Nine Columns by Heinz Mack is a project by the Ralph Dommermuth Foundation for Art and Culture, which is managed by Beck & Eggeling International Fine Art.